The Great Writers From The Romantic Era - 1389 Words

It is arguable that William Wordsworth had a great influence on many of the great writers from the romantic era, and it is evident that his definition of the sublime â€Å"mind to grasp at something towards which it can make approaches but which it is incapable of attaining† did in fact influence Mary Shelley’s writing of Frankenstein (Wordsworth, â€Å"From Enlightenment† 84) From the picturesque images of Mount Blanc and Lake Genva, to the frozen North Sea, it feels like Wordsworth’s hand is guiding Shelley’s pen as the foundation for the novel is laid down, and it is this presence of the sublime that makes Frankenstein the masterful piece of art it is with adding in the sublime. With adding in the sublime Shelley was able to create a world of†¦show more content†¦The immediate impact of this statement can be felt throughout the novel, giving Frankenstein a good undertone of the sublime that last throughout the whole story. Whenever the s tory is about to take a turn for the better of worse, or just a very climatic scene, a moment of sublime is there to ease the reader into the horrors and beauties they are about to encounter. Just as the calm before the storm when Victor’s innocent bride dies, the reader is overcome with vivid images of Wordsworthian sublime, â€Å"The moon had reached her summit in the heavens and was beginning to descend† (Shelley 153) Shelley uses images like these of the sublime, so that the reader can easily see these moments are used to foreshadow the death of Elizabeth. As well as using it to foreshadow, Shelley also uses moments of Wordsworthian sublime, when crafting the natural environment of the novel. So much so that Shelley even uses lines 77-84 from â€Å"Tintern Abbey† when describing Clerval’s reaction to the beauty of nature. Whether the opening statements, the masterfully crafted middle, or the mystifying end, one can clearly see the influence of Wordswo rth’s definition of sublime intertwined throughout Shelley’s writing of Frankenstein. Furthermore, It is best to look at the evils that lurk

Alan Paton s Cry, The Beloved The Country - 1358 Words

History is known to repeat itself, as evidence by the many groups that have suffered racial and ethnic discrimination. Hitler created prejudice against the Jews during World War II. Southerners discriminated against the Blacks, leading up to the Civil War, and during the Apartheid, the Natives were segregated from the Whites. In Alan Paton’s Cry, the Beloved the Country, the main character Stephen Kumalo goes through a journey to restore his tribe. During his journey, he discovers and learns of the injustices in South Africa. Through the parallels and contradictions of biblical allusions, Alan Paton is able to explain the impact of racial inequality in South Africa, but signifies how unconditional love and hope can be used to overcome fear and bring restoration to both the land and it’s inhabitants. Arthur’s allusion represents the overall battle of good versus evil and the fight for equality. King Arthur and Arthur Jarvis were well liked, and respected by the people. Paton states â€Å"the church had been too small for all who wanted to come† (181), and this is the ultimate representation of the respect that Arthur receives. King Arthur had the Knights of the Round Table where everyone at the table was seen as the same, while Arthur Jarvis wishes for sameness of both races and his death is seen as a major tragedy. The reader is able to learn about what many characters think of him in the aftermath of his death, â€Å"this is a terrible loss for South Africa said the white priest.Show MoreRelatedAlan Paton s Cry, The Beloved Country1747 Words   |  7 Pagesdevastating impacts of fear in slavery, Stalin’s brutal reign over Russia, and most significantly, the Nazi party. Fear has constantly been shown to possess and control people to engender dire conseque nces, much like it does in Alan Paton’s novel Cry, the Beloved Country. In his novel, Paton examines the negative impacts of fear, namely prejudice and corruption. Set in South Africa, the main character, reverend Stephen Kumalo, observes the stark contrast between his poor village and the cosmopolitan cityRead MoreThe White Mans Fear Depicted in Cry, the Beloved Country by Alan Paton830 Words   |  4 PagesThe time of the 1940’s in South Africa was defined by racial oppression of the native inhabitants of the country by the Dutch Boers, also known as the Afrikaners. These people were the demographic minority yet also the political majority. They executed almost complete control over the lives of the natives through asinine rules and harsh punishments. The highly esteemed novel Cry, the Beloved Country tells a story of Stephen Kumalo, a black priest dealing with the struggles of living in the SouthRead MoreImagery In Cry, The Beloved Country By Alan Paton768 Words à ‚  |  4 Pagesnoises, etc, as did the roles in the novel. Alan Paton uses a strong voice packed with imagery in his passage, â€Å"For they grow red and bare; they cannot hold the rain and mist, and the streams are dry in the kloofs. Too many cattle feed upon the grass, and too many fires have burned it. Stand shod upon it, for it is coarse and sharp, and the stones cut under the feet. It is not kept or guarded, or cared for, it no longer keeps men, guards men, cares for men† (Paton, 34). The overwhelming senses of touchRead MoreCry, The Beloved Country By Alan Paton1155 Words   |  5 Pages Cry, The Beloved Country by Alan Paton is a stunning and all too accurate depiction of apartheid in South Africa. Even though the novel centers on John Kumalo and his struggling family, it subtly shows the social going ons of South Africa supposedly in 1948, when the book was written. Strong examples of this come across in the choral chapters of the novel. These chapters give voice to the people of South Africa. Chapter nine shows the struggles of being black during apartheid, chapter 12 shows theRead MoreCry, The Beloved Country994 Words   |  4 PagesJohn Harrison in Cry, The Beloved Country While a subsidiary character in Alan Paton s Cry, The Beloved Country , John Harrison offers a glimpse into the attitude of the younger generation toward the black population in South Africa, one that seeks change but isn t always willing to exert the necessary effort. Who is John Harrison? People enter our lives all the time. Some become close friends. Others are here one day and gone the next. There are some with whom we rarely speak, but when weRead MoreCry, The Beloved Country1710 Words   |  7 Pages Alan Paton’s Cry, the Beloved Country takes place during the late 1940’s in Southern Africa. Specifically, in High Place, Ndotsheni, and Johannesburg. It takes place during a time of social change. There is racial inequality taking place during the late 1940’s. The novel shows what it was like to be living during this time. Cry, the Beloved Country has an urban and crowded feeling for most of the novel. This novel is written in past-tense, third-person omniscient point of view. Occasionally, theRead MoreThe Black Natives By Arthur Jarvis1449 Words   |  6 Pageseverything in the country, in essence capturing the natives. The natives are suppressed with low paying and hard jobs, little to no education, and essentially no social structure. Withou t this education, the natives learn and obtain little to no skills. Without good paying jobs, they have no wealth or prosperity. Arthur Jarvis says, â€Å"It is not permissible to watch its destruction, and to replace it by nothing, or by so little, that a whole people deteriorates, physically and morally† (Paton 179). JarvisRead MoreChinua Achebe s Things Fall Apart1094 Words   |  5 Pagesviews of African culture have often been those of disdain. Some books about Africa have set out to change the typical Western views of African culture, but others have upheld these negative views of African culture. Through each of their novels, Alan Paton, Chinua Achebe, and Joseph Conrad approach the topic of African culture and Western views on it differently. Chinua Achebe shows through his book, Things Fall Apart, that he is disapproving of Western views towards African culture. This exchangeRead MoreRacial Morals in Cry, The Beloved Country Essay1531 Words   |  7 PagesRacial Morals in Cry, The Beloved Country Discrimination against people who are different can be identify in every country around the world. People of every sex, color, religion, and in this case, ethnicity are tormented. In the 1940s, 50s, 60s, and 70s apartheid was an emanate injustice throughout the land of South Africa. Apartheid was the governments rigid policy racial segregation between white Europeans and black natives. The officialRead MoreCry, the Beloved Country by Alan Paton778 Words   |  4 Pagesfront to give it the opposite meaning. Therefore, it means a land free of cold and horror. It’s such an ironic name for a country where people are living their lives with hunger and fear. The conditions in South Africa during mid-1900 were even worse than they are today. Alan Paton addresses these issues in his novel, Cry, the Beloved Country, published in 1948. Paton uses two contrasting places to present his view of South Africa while suggesting solutions. The desolate village of Ndotsheni

Compare the presentation and content of the article in the Mirror and the article in the Guardian Free Essays

‘Communities in Britain aren’t used to gun culture’. However, what is gun culture? Although gun crime is increasing, is it the so-called glamorous ‘culture’ that is fuelling it? On the other hand, is it the society we live in and our failure to instil morals and principles in our children? In this essay I am going to compare how a tabloid and the website of a broadsheet presents and reports this issue. I shall be looking at the different presentational devices and visual images used, language and the structure and context of the material. We will write a custom essay sample on Compare the presentation and content of the article in the Mirror and the article in the Guardian or any similar topic only for you Order Now Firstly, the difference in media is immediately clear. The Mirror, a tabloid paper, has a big picture of Ice Cube the rap artist spread across two pages as its main focal point with the heading ‘Don’t let music take the rap’. In contrast, the Guardian’s website has very little in the way of pictures and has the text as the main focal point with a small heading. As this is a broadsheet, I would expect it to be much the same in the actual paper. On the other hand, both papers have used puns in their headings. The Mirror uses ‘Don’t let music take the rap’ and the Guardian uses ‘Bullet points’. Both headlines are used for the same reason- to catch the reader’s attention and to inform the reader what the article is about. Furthermore, in the tabloid paper the picture of Ice Cube holding a gun promoting his film is very similar to the one of Trevor Nelson in the main article, since they are both wearing black leather jackets and black hats. Implying that both of them are involved in the same sort of lifestyle. The Guardian does not use such presentational devices to make the article more appealing to the reader but it does have a small picture with the words ‘Gun violence in Britain’ on a red back ground suggesting blood. Both papers have a number of articles relating to the main subject but have them displayed in very different ways. The Mirror has a number of small columns relating to the main editorial, which are spread around the outside of the two pages, Dealing with various aspects of gun culture, so as to hold the readers attention the info has been broken down into digestible ‘bites’. On the other hand, it may distract the reader’s attention from the main article. However, the Guardian has a number of hyperlinks to related articles so there are no other actual pieces on the same page as the ‘Bullet points’ article. This once again shows the difference in media and how the two papers are able to present their articles. At the bottom of the main article in the Mirror there is a section asking the public to write in if gang life has affected them. Here the Mirror is inviting readership participation, much as TV shows such as Jerry Springer and Oprah, this invites an on going discussion, which may provide the paper with a good story. They are also probably expecting sensationalist replies. The Guardian does not use this since its editorship probably thinks its readers have the confidence to write in anyway. Since the presentation of the two articles is so different and the fact that one paper is a tabloid and the other is a broadsheet, you would expect the content of the two articles to be very different. First of all, the difference in paragraph sizes is immediately clear. The Trevor Nelson piece in the Mirror is mostly single sentence paragraphs. On the other hand, the paragraphs in the Guardian are slightly longer with three to four sentences in a paragraph. Apart from this, the articles are not very different, both articles are against blaming music for gun crime, ‘†¦it is wrong to blame gun crime and violence on music’, and ‘To blame gun violence on music is to simplify and distort the problem.’ This in the Mirror’s case is contradictory to the picture of a rap star holding a gun. The Mirrors main article is supposed to be Trevor Nelson’s views on the subject written by a reporter. On the other hand, Willber Willberforce, a programs editor at ‘1Xtra’, expressing his views on the subject, writes the Guardian’s main piece: Both articles are mainly opinion and have little or no facts in them; this is a sentence from the Mirror’s article. ‘All a kid has to do to prove he is the baddest boy in the area is to get a rumour going he’s got a gun.’ This is a sentence from the Guardian’s piece. ‘Music is in everybody’s house, in everybody’s car, but does not dictate peoples morals.’ Furthermore, the language in both articles is quite informal; ‘†¦if you pardon the pun, would be not to give them any ammunition.’ since the Guardian is a broadsheet, a more formal approach to the subject would have been expected. Moreover, the difference in the level of vocabulary used by both papers is little or none; this is an extract from The Guardian: ‘†¦It is a social problem that has lots of contributing factors. To blame gun violence on music is to distort and oversimplify the problem.’ In contrast, here is a sentence from the Mirror: ‘Nelson is adamant that it is wrong to blame gun crime and violence on music and says the fault lies in the heart of society.’ Here you can see that the level of vocabulary is the same. Although, both papers use people in the music industry to write their articles the way two papers choose to do this is very different. The Mirror does this by getting a reporter to interview Trevor Nelson and then write an article expressing his views. On the other hand, The Guardian gets the Programmes editor at 1xtra to write his own article expressing his views this enables him to speak directly to the reader rather than through the filter of a reporter. Moreover, the way the two pieces are structured is very different; The ‘Bullet points’ article starts of by talking about how gun crime has got worse, ‘gun violence has undoubtedly got worse’. Then goes on to discussing the reasons why people feel the need to carry guns, and then it blames the media for the way they portray urban musicians, ‘Megaman visits a hospital, but that’s not newsworthy.’ Finally, the writer chooses to end the piece talking about how most popular urban artists don’t actually talk about guns and violence in their songs, ‘†¦the biggest selling urban acts today†¦ are basically singing love songs.’ In contrast, the Trevor Nelson article in the Mirror begins by talking about how music is not to blame for gun crime and violence but society, ‘†¦the fault lies at the heart of society.’ Then the article goes on to talk about how what is happening with urban music is no different to football hooliganism: ‘But this is no different to the hooligan days when yobs used football as vehicle for their aggression.’ Lastly, the article ends talking about Trevor Nelson’s first hand experience of gun crime at a club he was DJ-ing at. ‘I was devastated. To know someone got killed at a party where I was DJ-ing†¦Ã¢â‚¬â„¢ I think the Trevor Nelson article makes its points most effectively it is better structured and is well thought out. Moreover, Nelson has more credibility because he has given an MBE for bringing urban music to the UK, whereas Wilberforce is less well known. On the other hand, due to the readership of both papers it is not very lightly that the readers will know who either Nelson or willberforce are. The ‘Bullet Points’ article in the Guardian did not have a main point on why not to blame music, it seemed to push the blame to the media. In addition, it said that the most popular urban artists sing love songs, in spite of the fact that Eminem is one of the biggest selling urban acts and one of the most controversial due to the nature of his lyrics. Furthermore, in this piece there are a number of questions asked by the writer that are left unanswered: ‘If there were no records glorifying guns, would they still feel they needed to carry a gun?’ Or ‘Where do the influences on peoples behaviour begin and end?’ In conclusion, the way in which the two papers covered the issue was very different from each other, although surprisingly they did have their similarities in vocabulary and language. Moreover, there were clearly some advantages and disadvantages in the medium chosen to report the subject, such as; for the Guardian, the internet enabled them to use a number of hyperlinks to satellite article but the reader would have to know the web address to get to their site first. In contrast the Mirror could guarantee that the reader would at least glance at each article whether they chose to read it or not but because they were using paper they had a limited amount of space available for articles. How to cite Compare the presentation and content of the article in the Mirror and the article in the Guardian, Papers